Welcome To The Jungle
:::::::::::::::::::::
10-01-2024 Tue 08:24
MS Windows/MacBook Pro/Ubuntu/Fedora/Linux/Parrot & Open-Source Art Studios: Audio & Visual Massmedia Creations & designing Skills:
☆ Python 2 & 3 - High-level programming and coding platform,
☆ JavaScript Fundamentals - High-level Programming Language,
☆ Gimp – Digital drawing application ,
☆ Inkscape – is a vector graphics editor for traditional Unix/Linux, BSD derivatives, Illumos, Windows and MacOs Operating systems all supporting a rich set of features widely used for artist and technical illustrators: such creations as cartoons, clip art. Logos, typography, diagrams and flow charting. Based default is Scalable Vector Graphics as its main file format, not to exclude the importing and exporting of various other file formats: SVG, AI, EPS, PDF, PS and PNG. mapping etc,.
Inkscape - can render primitive vector shapes: (e.g. rectangles, ellipses, polygons arcs, spirals, stars and 3D boxes) and text. It’s source code repository was hosted by SourseForge, then Launchpad, and finally as of June 2017, GitLab.
Inkscape workforce tools allow manipulating primitive vector shapes: simple ones like 3D Boxes with adjustable perspectives. Stars polygons and spirals. Rendering features that can create objects like barcodes, calendars grids, gears, and roulette curves (using the spirograph tool) these objects can be altered and filled with solid colors, patterns, radial or linear color gradients and their borders may be stroked, both with adjustable transparency. All of which can be edited by transformations – such as moving, rotating, scaling and skewing – or by editing paths. Tools that allow creating Bezier curves, freehand drawing of lines (pencil), or calligraphic (brush like) strokes.
☆ Blender software - Open-Source 3D computer graphic software tool Set to run on Windows, MacOS, BSD,, Haiku, and Linux. Used for creating animated films. Visuals effects, art 3D-ptrinted models, motion graphics, interactive 3D applications, virtual reality, and formerly, video games. Blender includes 3D modelling. UV mapping texturing, digital drawing. raster graphics editing, rigging and skinning, fluid and smoke simulation, particle simulations, soft body simulation, sculpting, animation, match moving, rendering motion graphics, video editing. Python scripting, and compositing. Linux Animations, 9
☆ OpenShot - Video and Audio editing application that is a cross-platform video editing software that supports many formats and features, such as key frame animations, transitions, compositing, and 3D titles, audio visualization, and time control
☆ Brasero: CD/DVD burner - is from the GNOME project application to burn CD/DVD, designed to be as simple as possible.
 |
It has some unique features to enable users to create their discs easily and quickly
FEATURES:
Supports multiple
backends: cdrtools, growisofs and libburn(optional).
Data CD/DVD
Editing of discs
contents (remove/move/rename files inside directories)
Burning data
CD/DVD on the fly
Automatic
filtering for unwanted files (hidden files, broken/recursive symlinks, files
not conforming to joliet standard)
Multisession
support
Joliet extension
support
Writing the image
to the hard drive
Checking disc
file integrity
Audio CD
Write CD-TEXT
information (automatically found thanks to gstreamer)
Supports the
edition of CD-TEXT information
Burn audio CD on
the fly
Use all audio
files handled by Gstreamer local installation (ogg, flac, mp3, ...)
Search for audio
files inside dropped folders
Full edition of
silences between tracks
CD/DVD copy
Copy a CD/DVD to
the hard drive
Copy CD and DVD
on the fly
Single-session
data DVD support
All kinds of CD
support
Other
Erase
CD/DVD
Project
saving & loading
Burning
CD/DVD images and cue files
Song,
image and video previewer
Device
detection
File change notification
Customisable GUI
(when used with GDL)
Supports Drag
& Drop / Cut & Paste from Files
Use files on a
network as long as the protocol is handled by gnome-vfs
Search for files
thanks to beagle (search is based on keywords or on file type)
Can display a
playlist and its contents (note that playlists are automatically searched
through beagle)
All disc IO is
done asynchronously to prevent the application from blocking
########’did
Introducing
GNOME 47, “Denver”
September
18, 2024
The GNOME project
is thrilled to unveil GNOME 47, the newest release that reflects six months of
dedicated effort from our community. A huge thank you to all the contributors
who made this possible!
This release,
dubbed “Denver,” honors the incredible efforts of the GUADEC 2024 organizers.
Join us as we delve into the exciting new features of GNOME 47.
Accent Colors
Accent colors have
finally arrived! This new option allows customization of the existing blue
accent color which is used throughout GNOME’s interfaces, with a range of
fantastic alternative accent colors to choose from. Just select one from the
Appearance settings, and it will be automatically used throughout the system
and apps. This new personalization feature is a great way to make your system
look and feel like it is yours.
System Enhancements
GNOME 47 comes with
a set of significant system enhancements.
Enhanced Small Screen Support
GNOME 47 enhances
the user experience on screens with lower resolutions by optimizing how icons
and interface elements are rendered. In previous versions, users with
lower-resolution displays might have noticed that icons appeared too small or
difficult to interact with. With this update, GNOME automatically scales icons
to appear larger and more visually accessible on such screens.
Before/after:
In older GNOME releases the size of app icons in the dash was not optimal on
small displays.
Screen Capture Hardware Encoding
GNOME 47 introduces
support for hardware encoding on Intel and AMD GPUs when recording the screen.
This significantly reduces the strain on your system during screen recording.
As a result, you’ll experience smoother performance with less impact on system
resources, making it easier to capture high-quality screen captures without
compromising the responsiveness of your desktop or other running applications.
Whether you’re creating tutorials, recording gameplay, this improvement ensures
a more efficient and seamless screen capture experience.
Faster, More Accurate Rendering
This release also
brings significant improvements to GTK rendering, especially for older hardware
and mobile devices. Users on legacy systems or mobile phones will notice a more
responsive and visually consistent experience, with reduced lag and better overall
graphical fidelity.
Persistent Remote Desktop Sessions
GNOME’s remote
desktop support has improved for version 47, with the addition of persistent
remote login sessions. If you happen to be disconnected from a remote login
session, it will now continue, so that it is possible to log back in and
continue from where you left off, with the system in the same state as when you
left it.
New Style Dialog Windows
Dialog windows have
a new and updated design for GNOME 47. Found in both system and app dialogs,
the new layout enhances usability across various screen sizes, by ensuring that
dialogs now function more effectively on narrow screens and mobile devices. Whether
you’re working on a compact laptop or using GNOME on a smartphone, these
improvements make dialogs more accessible and easier to interact with, adapting
seamlessly to different display environments. The new style dialogs also look
great with custom accent colors.
New Open and Save File Dialogs
GNOME 47 comes with
brand new file open and save file dialogs. The new dialogs are a major upgrade
compared with the previous versions, and are based on the existing Files app
rather than being a separate codebase. This results in the new dialogs having a
much more complete set of features compared with the old open and save dialogs.
With the new dialogs you can zoom the view, change the sort order in the icon
view, rename files and folders, preview files, and more.
Another major
advantage of the new file dialogs is how they are consistent with the Files
app. The new dialogs all look and behave the same way as in Files, the
locations in the sidebar are consistent, and search returns the same results in
the same order.
The new file
dialogs are also more capable, with on-demand thumbnail generation and faster
and more comprehensive search.
Improved Files App
The Files app
includes a major set of improvements in GNOME 47.
Improved Navigation
Files has several
significant navigation improvements for GNOME 47. First, a new “Network” view
provides a better way to browse remote file locations, with a clear list that
is divided into sections for currently connected, previously used, and
available network locations. This view is easier to understand and use than the
previous “Other Locations” view.
Second, physical
internal disks are now all listed in the sidebar, keeping them together with
other disks and making them easy to access.
Third and finally,
a reworked places sidebar allows more of the default sidebar items to be
removed, including the locations for Documents, Downloads, Music and Videos.
Being able to remove these items gives more space in the sidebar for
customization.
Better Search Information
GNOME 47 introduces
improvements to Files search, by providing more contextual information about
search performance. If any factors are affecting search results, such as if the
location is not indexed or if it is a remote directory, then a new button is shown
in the search bar, which shows information about the current search context.
This added context helps users understand why certain searches might be slower
or incomplete. It also allows users to update their search settings to get the
best experience.
Modernized Interface
Several parts of
the Files app have also received a refreshed interface for GNOME 47. This
includes updated new folder and file compression dialogs.
Settings
The latest release
of the Settings app includes a number of helpful additions.
Activate
windows on hover: in the Accessibility settings, a new “activate windows on hover”
option has been added. In previous releases, this option was only available
through third party apps. Now with GNOME 47, it’s accessible directly in the
Settings.
Input
source previewing: in the Keyboard settings, it is now possible to preview input
sources from the add input source dialog. This enhancement allows users to see
a visual representation of each keyboard layout before selecting it.
Mobile
suspend options: in the Power settings, a different set of suspend times are now
presented for mobile devices. This enhancement allows for optimized power
management, helping to improve battery life.
This latest release
also includes a great collection of modernization improvements, with many
settings panels having been upgraded to use the latest interface components,
giving a more cohesive and contemporary look.
Improved Online Accounts
GNOME’s Online
Accounts features have been enhanced for the latest version.
- IMAP/SMTP
email account details now automatically complete based on the address used
- Kerberos
accounts use less power on an ongoing basis
- Email,
calendar and contact integration has been added to Microsoft 365 accounts
- When
setting up WebDAV accounts, available services are now automatically
discovered, to provide a more streamlined setup experience
Web
Version 47 is an
exciting release for the GNOME web browser, and includes multiple new features
and enhancements.
Automatically
Fill Forms: a new auto-fill feature allows you to automatically complete
forms based on previous responses. This feature can be enabled from the Privacy
preferences, where you can set the information to be automatically provided,
like name, address, and contact information.
Redesigned
Bookmarks: Web has a slick new bookmarks sidebar, which provides a
better experience for browsing and searching your bookmarks.
Privacy
Reports:
a new privacy report features has been added, which displays how many trackers
have been blocked by GNOME Web. Making this previously hidden information
available allows you to stay informed about your online privacy.
Something to be
aware of: due to changes in Firefox’s account authentication process, Firefox
Sync support has been disabled in version 47, as well as 46.3, and 45.4.
Unfortunately, there is no estimate for when Firefox Sync might return. For
more details, refer to the issue report.
Calendar
The GNOME 47
version of the Calendar app comes packed with almost 50 bug fixes, as well as
plenty of extra polish. The most noticeable change is a reworked event details
popover. The new design has many advantages over the previous version,
including:
- Improved
handling for read-only events, which are now indicated by a lock icon
- A
better-looking and more usable layout, with clearer sections and
consistent spacing
- Video
meeting links are now only displayed once
- Placeholders
indicate when information is missing
In addition, the
event importer and event editor dialogs now gracefully handle hidden and
read-only calendars, and the “Add Calendar” dialog has also been tweaked to be
clearer, and to catch and display errors.
Welcome, Circle Friends!
GNOME
Circle is
a group of fantastic apps for GNOME, which the GNOME project promotes and
supports. Since GNOME 46 was released, these new apps have been added:
Welcome to these
new members of the GNOME community!
Other Changes
GNOME 47 also comes
with many other smaller improvements.
- Disk
Usage Analyzer has a refreshed interface for GNOME 47. The updated look
includes a modernized files list, updated icons, and a new look location
bar.
- Wait
cursors have been refreshed to adjust to the new spinner widgetry in the
platform.
- Maps
uses vector tiles by default now.
- App
recommendations have been updated in Software, making it easy to find the
latest and greatest apps to install
·
Maps also features public transit routing in selected locations.
Rather than relying on commercial services, Maps leverages a community-run
transport routing service.
This release also
includes a number of technical changes which are either experimental or will be
the basis of other work in the future:
- GNOME
47 includes an enhanced fractional display scaling feature, which provides
better support for legacy X11 apps. This feature is still considered
experimental and should only be used for testing. To enable it, you can
run the following from the command line:
gsettings set org.gnome.mutter experimental-features '["scale-monitor-framebuffer", "xwayland-native-scaling"]' - The
latest GNOME release introduces the ability to play games that uses
Virtual Reality (VR) headsets, while using Wayland desktop sessions.
- The
foundations for reliable and hardware accelerated screen sharing needed by
the proprietary NVIDIA driver has been added in GNOME 47, opening the door
for applications to improve screen sharing and screen recording
performance in the future.
Developer Experience
GNOME 47 brings a
range of new features and enhancements for developers working with the GNOME
platform. Explore the developer section for detailed insights.
Getting GNOME 47
GNOME’s software
is Free Software: all our
code is
available for download and can be freely modified and redistributed according
to the respective licenses. To install it, we recommend that you wait for the
official packages provided by your vendor or distribution. Popular
distributions will make GNOME 47 available very soon, and some already have
development versions that include the new GNOME release. You can also try
the GNOME
OS image as
a virtual machine, using the Boxes app.
About GNOME
The
GNOME Project is
an international community supported by a non-profit Foundation. We focus on
user experience excellence and first-class internationalization and
accessibility. GNOME is a free and open project: if you want to join us, you
can.
code-platoon.teachable.com/courses - Javascript fundamentals - Update My Multimedia Linux Mint Virginia MacBook Pro 06-30-2024
Thanks for enrolling in this course!
Your order ID: 77773784
You will shortly receive an email confirmation at .
What you'll learn in this course
Vets and military spouses, welcome to Code Platoon!
As you prepare for the application and see the plethora of information available on the Internet, we are here to help. This free, self-paced prep program will allow you to learn and practice the necessary skills for successful admission into the Code Platoon program.
Most of these sessions include instructor-led videos and a problem set for each session. Learning to code is not like going to school where you figure out what to say/do in order to get an A. These lessons build the foundation for (hopefully) the rest of your career. Take time to really understand the concepts instead of trying to finish as quickly as possible.
You will be learning Javascript fundamentals. Javascript is the language of the web and is an essential language to become a full-stack software developer.
We've also created a bunch of coding challenges to help you practice your ability to problem solve using Javascript. Once you create a Repl.it account, which we'll walk you through in the next lecture, please download the below Code_Platoon_ Intro_To_Coding_REPL_Challenges.pdf to link to the Coding Challenges. Attempt these Coding Challenges as you go through the course.
Good luck!
Celluloid - Play movies and videos, 
DGEdit - the DrumGizmo drum kit editor, 
drumkv1 - drumkv1 is an old school drum-kit sampler,
Drumstick Metronome - MIDI Metronome Using ALSA Sequencer,
Echomixer - Utilitaire de controle et mixeur graphique pour les cartes..., Envy24 Control - Utilitaire de controle et mixeur graphique pour les cartes ...,
HDAJackRetask - Retask the audio jacks for the HDA sound driver, 
HDSPConf - Hammerfall DSP control application,HDSPMixer - Hammerfall DSP matrix mixer control GUI, Hypnotix - Watch TV, Jaaa (with ALSA support) Analyse or generate an audio signal through ALSA,Jaaa
(with JACK support) Analyse or generate an Audio signal through JACK,
Jnoise meter - Audio test signals meter for JACK, Kid3-qt Edit audio
file metadata, Mudita24 - ALSA GUI Control Tool for Envy24 (ice1712)
soundcards, 
PulseAudio Volume Control - Adjust the volume level, 
QasConfig - ALSA configuration browser,
QasHctl - ALSA HCTL mixer,QasMixer - Graphical mixer application for the ALSA, QmidiNet - QmidiNet is a MIDI Network Gateway via UDP/IP Multikast, Rhythmbox - play and organize your music collection,Rmedigicontrol - Control RME Digi32 and RME Digi96 soundcards, tuxguitar Edit playback guitar tablatures,VLC media player Read Capture broadcast your multimedia streams, Zita-bls1 - converter of binaural signals into a conventional stereo signals, Zita-mu1 - App used to organize stereo monitoring for JACK. These are my latest learning projects.03.29@09:54 ++ Will install libpulse0
03.29@09:54 ++ Will install libpulsedsp
03.29@09:54 ++ Will install pulseaudio
03.29@09:54 ++ Will install pulseaudio-utils
03.29@09:54 ++ Will install libpulse-mainloop-glib0
03.29@09:54 ++ Will install pulseaudio-module-bluetooth
Mr. Samuel F. Campbell
Administrative Executive Assistant 2014 Certificate
Harmonicas & Acoustic Guitar Soloist & Grand Piano Soloist
• Dramatic Musical Instrumental Interpretations
• Hand Drawings
• Acrylic Paintings
• Oil Paintings
• Computer Recycling Operator/Programming and development:
Windows XP, Windows 7, Linux Mint 17 Rebecca Video editing and graphics
Tue Mar 26 09:11:15 AM CDT 2024
samuel@samuel-MacBookPro:~$ sudo apt update
[sudo] password for samuel:
Ign:1 http://packages.linuxmint.com virginia InRelease
Hit:2 http://archive.ubuntu.com/ubuntu jammy InRelease
Get:3 http://security.ubuntu.com/ubuntu jammy-security InRelease [110 kB]
Hit:4 http://packages.linuxmint.com virginia Release
Get:5 http://archive.ubuntu.com/ubuntu jammy-updates InRelease [119 kB]
Hit:7 http://archive.ubuntu.com/ubuntu jammy-backports InRelease
Fetched 229 kB in 1s (333 kB/s)
Reading package lists... Done
Building dependency tree... Done
Reading state information... Done
1 package can be upgraded. Run 'apt list --upgradable' to see it.
samuel@samuel-MacBookPro:~$ sudo apt upgrade
[sudo] password for samuel:
Reading package lists... Done
Building dependency tree... Done
Reading state information... Done
Calculating upgrade... Done
The following packages were automatically installed and are no longer required:
libaubio5 libgtkmm-2.4-1v5
Use 'sudo apt autoremove' to remove them.
The following packages will be upgraded:
thunderbird-locale-en-us
1 upgraded, 0 newly installed, 0 to remove and 0 not upgraded.
Need to get 9,524 B of archives.
After this operation, 0 B of additional disk space will be used.
Do you want to continue? [Y/n] y
Get:1 http://archive.ubuntu.com/ubuntu jammy-updates/main amd64 thunderbird-locale-en-us all 1:115.9.0+build1-0ubuntu0.22.04.1 [9,524 B]
Fetched 9,524 B in 0s (51.2 kB/s)
(Reading database ... 615498 files and directories currently installed.)
Preparing to unpack .../thunderbird-locale-en-us_1%3a115.9.0+build1-0ubuntu0.22.
04.1_all.deb ...
Unpacking thunderbird-locale-en-us (1:115.9.0+build1-0ubuntu0.22.04.1) over (1:1
15.8.1+build1-0ubuntu0.22.04.1) ...
Setting up thunderbird-locale-en-us (1:115.9.0+build1-0ubuntu0.22.04.1) ...
samuel@samuel-MacBookPro:~$
Tue Mar 26 01:36:34 PM CDT 2024
samuel@samuel-MacBookPro:~$ df -h
Filesystem Size Used Avail Use% Mounted on
tmpfs 785M 1.8M 783M 1% /run
/dev/sda2 468G 32G 413G 8% /
tmpfs 3.9G 0 3.9G 0% /dev/shm
tmpfs 5.0M 4.0K 5.0M 1% /run/lock
/dev/sda1 511M 6.1M 505M 2% /boot/efi
tmpfs 785M 1.7M 783M 1% /run/user/1000
samuel@samuel-MacBookPro:~$
samuel@samuel-MacBookPro:~$ ls -a
. Documents Pictures
.. Downloads .profile
.aspell.en.prepl .gnupg Public
.aspell.en.pws .gtkrc-2.0 .qt-license
.bash_history .gtkrc-xfce .sudo_as_admin_successful
.bash_logout .ICE authority Templates
.bashrc .linuxmint .thunderbird
.cache .local Videos
.config .mozilla .Xauthority
Desktop Music .xsession-errors
.dmrc .openshot_qt .xsession-errors.old
samuel@samuel-MacBookPro:~$ .thunderbird
Command '.thunderbird' not found, did you mean:
command 'thunderbird' from deb thunderbird (1:115.4.1+build1-0ubuntu0.22.04.1)
Try: sudo apt install <deb name>
samuel@samuel-MacBookPro:~$ thunderbird
[ImapModuleLoader] Using nsImapService.cpp
console.error: ({})
console.debug: "Found 0 public keys and 0 secret keys (0 protected, 0 unprotected)"
console.debug: "Successfully loaded optional OpenPGP library libgpgme.so.11 from system's standard library locations"
console.debug: "gpgme version: 1.16.0"
JavaScript error: resource://services-settings/Utils.sys.mjs, line 245: TypeError: Headers.set: cf_use_ob=443; path=/; expires=tue, 26-mar-24 18:40:54 gmt is an invalid header name.
console.error: (new Error("Polling for changes failed: Server error 504 Gateway Timeout.", "resource://services-settings/remote-settings.sys.mjs", 324))
/ 89011949
► Tracks: 
• Spanish Sky - Beautiful Spanish melod...
5. 27:01 SPANISH DESERT #5 - • Spanish Desert | Guitar Lesson w/ Tabs! | My Purchases |
| Gospel Guitar 101 Digital Download Course |
| 4 Steps To Next Level Growth Workbook |
| 4 Steps To Next Level Playing Audio Digital Download Course |
https://chordify.net/chords/lily-afshar-virtuoso-guitar-five-popular-persian-ballads-melbaypublications
::::::::::::::::::::::
07-07-2023 Friday
Kaspersky TDSSKiller Results
Kaspersky TDSSKiller Results
::::::::::::::::::::::::::::::::::::
◇ WHEN THE SAINTS GO MARCHIN IN
(CHORD TRANSPOSED KEYS OF G, A, E, AND C)
◇ SCARBOROUGH FAIR CANTICLE - PAUL SIMON & GARFUNKEL
:::::::::::::::::::::::
◇ STAIRWAY TO HEAVEN LED ZEPPELIN
(KEY OF AM)
[INTRO]
AM AMMAJ9 AM7 D/F# FMAJ7 G AM
AM AMMAJ9 AM7 D/F# FMAJ7 G AM
C D FMAJ7 AM C G DSUS4 D
C D FMAJ7 AM C D FMAJ7
[VERSE 1]
AM AMMAJ9
THERE’S A LADY WHO’S SURE,
AM7 D/F#
ALL THAT GLITTERS IS GOLD.
FMAJ7 G AM
AND SHE’S BUYING A STAIRWAY TO HEAVEN.
AM AMMAJ9
WHEN SHE GETS THERE SHE KNOWS,
AM7 D/F#
IF THE STORES ARE ALL CLOSED,
FMAJ7 G AM
WITH A WORD SHE CAN GET WHAT SHE CAME FOR.
C D FMAJ7 AM C G DSUS4 D
OO-OOH OOH - OOH, AND SHE’S BUYING A STAIRWAY TO HEA - VEN.
[VERSE 2]
C D
THERE’S A SIGN ON THE WALL,
FMAJ7 AM
BUT SHE WANTS TO BE SURE.
C D FMAJ7
‘CAUSE YOU KNOW SOMETIMES WORDS HAVE TWO MEANINGS.
AM AMMAJ9
IN A TREE BY THE BROOK,
AM D/F#
THERE’S A SONGBIRD WHO SINGS,
FMAJ7 G AM
SOMETIMES ALL OF OUR THOUGHTS ARE MISGIVEN.
[INSTRUMENTAL]
AM AMMAJ9 AM7 D/F# FMAJ7 G AM G/B
[BRIDGE 1]
AM7 D AM7 EM/D D C/D D
OOH, IT MAKES ME WONDER...
AM7 D AM7 EM/D D C/D D
OOOOOOOOOH, IT MAKES ME WONDER...
[VERSE 3]
C G/B
THERE’S A FEELING I GET,
AM
WHEN I LOOK TO THE WEST.
C G/B FMAJ7 AM
AND MY SPIRIT IS CRYING FOR LEA - VING.
C G/B
IN MY THOUGHTS I HAVE SEEN,
AM
RINGS OF SMOKE THROUGH THE TREES,
C G/B FMAJ7 AM C G/B
AND THE VOICES OF THOSE WHO STAND LOO - KING.
[BRIDGE 2]
AM7 D AM7 EM/D D C/D D
OOOOOOOH, IT MAKES ME WONDER...
AM7 D AM7 EM/D D C/D D
OOOOOOOOOH, IT REALLY MAKES ME WONDER...
[VERSE 4]
C G/B
AND IT’S WHISPERED THAT SOON,
AM
IF WE ALL CALL THE TUNE,
AM G F
THEN THE PIPER WILL LEAD US TO REA - SON.
AM G F
AND A NEW DAY WILL DAWN,
AM
FOR THOSE WHO STAND LONG,
C G/B FMAJ7 AM C G/B
AND THE FORESTS WILL ECHO WITH LAUGH-TER.
[BRIDGE 3]
AM7 D AM7 EM/D D C/D D
AM7 D AM7 EM/D D C/D D
[VERSE 5]
C G/B AM
IF THERE’S A BUSTLE IN YOUR HEDGEROW
DON’T BE ALARMED NOW,
C G/B FMAJ7 AM
IT’S JUST A SPRING CLEAN FOR THE MAY QUEEN.
C G/B AM
YES, THERE ARE TWO PATHS YOU CAN GO BY
BUT IN THE LONG RUN
C G/B FMAJ7 AM C G/B
THERE’S STILL TIME TO CHANGE THE ROAD YOU’RE ON.
[BRIDGE 4]
AM7 D AM7 EM/D D C/D D
AND IT MAKES ME WONDER...
AM7 D AM7 EM/D D C/D D
OHHH-OHHH
[VERSE 6]
C G/B AM
YOUR HEAD IS HUMMING AND IT WON’T GO
IN CASE YOU DON’T KNOW,
C G/B FMAJ7 AM
THE PIPER’S CALLING YOU TO JOIN HIM,
C G/B AM
DEAR LADY, CAN YOU HEAR THE WIND BLOW,
AND DID YOU KNOW
C G/B FMAJ7 AM C G/B D
YOUR STAIRWAY LIES ON THE WHISPERING WIND.
[TRANSITION]
DSUS2 D DSUS4 DSUS2 D DSUS4 DSUS2 D DSUS4 DSUS4 D
C CADD9 C CADD9
DSUS2 D DSUS4 DSUS2 D DSUS4 DSUS2 D DSUS4 DSUS4 D
C CADD9 GMAJ7/B
[SOLO]
AM AM/G FMAJ7 X10
[FINAL VERSE]
AM G F
AND AS WE WIND ON DOWN THE ROAD,
AM G F
OUR SHADOWS TALLER THAN OUR SOULS,
AM G F
THERE WALKS A LADY WE ALL KNOW,
AM G F
WHO SHINES WHITE LIGHT AND WANTS TO SHOW,
AM G F
HOW EVERYTHING STILL TURNS TO GOLD.
AM G F
AND IF YOU LISTEN VERY HARD,
AM G F
THE TUNE WILL COME TO YOU AT LAST.
AM G F
WHEN ALL ARE ONE AND ONE IS ALL, YEAH.
AM G F
TO BE A ROCK AND NOT TO ROLL.
[OUTRO]
AM AM/G FMAJ7 X4
(FMAJ7) N.C.
AND SHE’S BUYING A STAIRWAY TO HEAVEN.
◇ WHEN THE SAINTS GO MARCHING IN
--------------------------------------------------------------------------------------------------
TABBED BY: KURT JAMES HARRISON
E-MAIL: METALHEAD_GUY@HOTMAIL.COM
G G
OH WHEN THE SAINTS GO MARCHING IN
G D
OH WHEN THE SAINTS GO MARCHING IN
G G7 C CM
I WANNA BE IN THAT NUMBER
G D G
WHEN THE SAINTS GO MARCHING IN
G G
OH WHEN THE SAINTS GO MARCHING IN
G D
OH WHEN THE SAINTS GO MARCHING IN
G G7 C CM
I WANNA BE IN THAT NUMBER
G D G
WHEN THE SAINTS GO MARCHING IN
G G
OH WHEN THE SAINTS GO MARCHING IN
G D
OH WHEN THE SAINTS GO MARCHING IN
G G7 C CM
I WANNA BE IN THAT NUMBER
G D G
WHEN THE SAINTS GO MARCHING IN
TUNER SET TO PRO ACCRACY MODE:
PRO TIP : ACCRACY TO SHOW MORE ACCURATE TUNING DATA-VALUES ARE SHOWN IN CENTS.
100 CENTS = SIMITONE!
WHAT IS THE 6TH STRING TUNED TO D?
DROP D TUNING IS WHEN THE GUITAR'S 6TH STRING IS TUNED DOWN FROM AN E TO A D. IN STANDARD TUNING, FROM LOW TO HIGH, THE STRINGS ARE TUNED E, A D, G, B AND E, BUT IN DROP D TUNING THEY'RE TUNED D, A, D, G, B AND E. JAN 6, 2018
TUNING THE 6TH STRING TO D
PLAY THE FOURTH STRING (D) AS A REFERENCE PITCH. WHILE LETTING THE FOURTH STRING RING, PLAY THE SIXTH STRING (E) AND LOWER IT TO D. AFTER YOU'VE GOTTEN TO D, TURN THE SIXTH STRING A 1/2 – 1 TURN MORE (GO LOWER THAN D).
:::::::::;
06-20-2023 TUE
TITLE: OH WHEN THE SAINTS
TAB: ~ SAMUEL F CAMPBELL
TITLE: OH WHEN THE SAINTS
ARTIST: LOUIS ARMSTRONG, HTTPS://YOUTU.BE/WYLJBMBPGDA
AUTHOR AND COPYRIGHT: MISSISSIPPIHANS (ARR.+TAB.)
CAPO: 2, OPTIONALLY
TEMPO: Q=120
PLAY BASS QUARTERS WITH YOUR RIGHT-HAND THUMB AND INSERT MELODY/HARMONY NOTES.
EIGHTHS ARE MARKED '+'.
THE CHORD NAMES ABOVE THE TAB LINES INDICATE THE LEFT-HAND POSITION.
PLAY THE 1ST AND 2ND FRET 6TH STRING BASS IN THE D AND F CHORDS WITH YOU LEFT-HAND THUMB (THUMB-FRETTING).
[VERSE KEYG]
G + + + + + + + + + + + +
E|---------------------------------|---------------------------------|---------------------------------|
B|-------------------------0--H1---|-3-----------------------0--H1---|-3-----------------------0--H1---|
G|-----0-------0-------0-----------|-----0-------0-------0-----------|-----0-------0-------0-----------|
D|---------0---------------0-------|---------0---------------0-------|---------0---------------0-------|
A|---------------------------------|-----------------2---------------|-----------------2---------------|
E|-3---------------3---------------|-3-------------------------------|-3-------------------------------|
+ D + + + + G + + + +
E|------------------------|---------------------------------|---------------------------------|
B|-3-------0---------0----|-------------------------0-------|-----------------0-------3-------|
G|-----0--------0---------|-2---------------------------2---|-0-----------0-------0-------0---|
D|---------0---------0----|-----0-------0-------0-----------|-----0-------------------0-------|
A|------------------------|---------0---------------0-------|---------2-----------------------|
E|-3------------3---------|-2---------------2---------------|-3---------------3---------------|
C + + + + G + D G + + + +
E|---------------------------------|------------------------|---------------------------------|
B|-3--P1-------------------0--H1---|-3-------0--------------|---------------------------------|
G|-------------0-------0-----------|-----0--------0----2----|-0-------------------------------|
D|---------2---------------2-------|---------0---------0----|-----0-------0-------0-------0---|
A|-3---------------3---------------|------------------------|---------2---------------2-------|
E|---------------------------------|-3------------3---------|-3---------------3---------------|
[VERSE KEYA]
A + + + + + + + + + + + +
E|---------------------------------|-0-------------------------------|-0-------------------------------|
B|-------------------------2--H3---|-------------------------2--H3---|-------------------------2--H3---|
G|-----2-------2-------2-----------|-----2-------2-------2-----------|-----2-------2-------2-----------|
D|---------2---------------2-------|---------2---------------2-------|---------2---------------2-------|
A|-0---------------0---------------|-0---------------0---------------|-0---------------0---------------|
E|---------------------------------|---------------------------------|---------------------------------|
+ E + + + + A +
E|-0----------------------|---------------------------------|-------------------0----|
B|---------2---------2----|-0-----------------------2--P0---|--------------2---------|
G|-----2--------2---------|-----1-------1-------1-----------|-2--------2-------------|
D|---------2---------2----|---------2---------------2-------|------2------------2----|
A|-0------------0---------|-----------------2---------------|-0------------0---------|
E|------------------------|-0-------------------------------|------------------------|
D + + + + A + E A
E|-0-------------------------------|-0----------------------|---------------------|
B|-----3-------------------2--/3---|---------2---------0----|---------------------|
G|-------------2-------2-----------|-----2--------2---------|-2-------------------|
D|---------0---------------0-------|---------2---------2----|------2---------2----|
A|-0---------------0---------------|-0------------0---------|-0---------0---------|
E|---------------------------------|------------------------|---------------------|
[VERSE KEYC]
C + + + + + + + + + + + +
E|-------------------------0--H1---|-3-----------------------0--H1---|-3-----------------------0--H1---|
B|---------------------1-----------|---------------------1-----------|---------------------1-----------|
G|-----0-------0-------------------|-----0-------0-------------------|-----0-------0-------------------|
D|---------2---------------2-------|---------2---------------2-------|---------2---------------2-------|
A|-3-------------------------------|-3-------------------------------|-3-------------------------------|
E|-----------------3---------------|-----------------3---------------|-----------------3---------------|
+ + + + G + + + + C + + + +
E|-3-------0---------------0-------|-------------------------0-------|-----------------0-------3-------|
B|-----------------1---------------|-3---------------------------3---|-1-----------1-------------------|
G|-----0-------0-------0-------0---|-----0-------0-------0-----------|-----0---------------0-------0---|
D|---------2---------------2-------|---------0---------------0-------|---------2---------------2-------|
A|-3---------------3---------------|-----------------2---------------|-3---------------3---------------|
E|---------------------------------|-3-------------------------------|---------------------------------|
F + + + + C + + + G + C + + + +
E|-3--P1-------------------0--H1---|-3-------0-----------------------|---------------------------------|
B|---------------------------------|-----------------1-------3-------|-1-------------------------------|
G|-------------2-------2-----------|-----0-------0-------0-------0---|-----0-------0-------0-------0---|
D|---------3---------------3-------|---------2---------------0-------|---------2---------------2-------|
A|---------------------------------|-3-------------------------------|-3-------------------------------|
E|-1---------------1---------------|-----------------3---------------|-----------------3---------------|
[LYRICS]
OH WHEN THE SAINTS GO MARCHING IN, WHEN THE SAINTS GO MARCHING IN
O LORD, I WANT TO BE IN THAT NUMBER, WHEN THE SAINTS GO MARCHING IN
AND WHEN THE SUN REFUSES TO SHINE, AND WHEN THE SUN REFUSES TO SHINE
O LORD, I WANT TO BE IN THAT NUMBER, WHEN THE SAINTS GO MARCHING IN
WHEN THE MOON TURNS RED WITH BLOOD, WHEN THE MOON TURNS RED WITH BLOOD
O LORD, I WANT TO BE IN THAT NUMBER, WHEN THE SAINTS GO MARCHING IN
ON THAT HALLELUJAH DAY, ON THAT HALLELUJAH DAY
O LORD, I WANT TO BE IN THAT NUMBER, WHEN THE SAINTS GO MARCHING IN
O WHEN THE TRUMPET SOUNDS THE CALL, O WHEN THE TRUMPET SOUNDS THE CALL
O LORD, I WANT TO BE IN THAT NUMBER, WHEN THE SAINTS GO MARCHING IN
SOME SAY THIS WORLD OF TROUBLE, IS THE ONLY ONE WE NEED
BUT I'M WAITING FOR THAT MORNING, WHEN THE NEW WORLD IS REVEALED
WHEN THE REVELATION COMES, WHEN THE REVELATION COMES
O LORD, I WANT TO BE IN THAT NUMBER, WHEN THE SAINTS GO MARCHING IN
WHEN THE RICH GO OUT AND WORK, WHEN THE RICH GO OUT AND WORK
O LORD, I WANT TO BE IN THAT NUMBER, WHEN THE SAINTS GO MARCHING IN
WHEN THE AIR IS PURE AND CLEAN, WHEN THE AIR IS PURE AND CLEAN
O LORD, I WANT TO BE IN THAT NUMBER, WHEN THE SAINTS GO MARCHING IN
WHEN WE ALL HAVE FOOD TO EAT, WHEN WE ALL HAVE FOOD TO EAT
O LORD, I WANT TO BE IN THAT NUMBER, WHEN THE SAINTS GO MARCHING IN
WHEN OUR LEADERS LEARN TO CRY, WHEN OUR LEADERS LEARN TO CRY
O LORD, I WANT TO BE IN THAT NUMBER, WHEN THE SAINTS GO MARCHING IN
************************** | H HAMMER-ON
| P PULL-OFF
| / SLIDE UP
---------------------------------------------------------------------------------------------WHEN THE SAINTS GO MARCHING IN - LOUIS ARMSTRONG
---------------------------------------------------------------------------------------------
TABBED BY:
KURT JAMES HARRISON
G G
OH WHEN THE SAINTS GO MARCHING IN
G D
OH WHEN THE SAINTS GO MARCHING IN
G G7 C CM
I WANNA BE IN THAT NUMBER
G D G
WHEN THE SAINTS GO MARCHING IN
G G
OH WHEN THE SAINTS GO MARCHING IN
G D
OH WHEN THE SAINTS GO MARCHING IN
G G7 C CM
I WANNA BE IN THAT NUMBER
G D G
WHEN THE SAINTS GO MARCHING IN
G G
OH WHEN THE SAINTS GO MARCHING IN
G D
OH WHEN THE SAINTS GO MARCHING IN
G G7 C CM
I WANNA BE IN THAT NUMBER
G D G
WHEN THE SAINTS GO MARCHING IN
[KEY OF G]
G G G D
G G7 C CM
G D G
G G G D G G7 C CM G D G
[KEY OF A]
A A A E
A A7 D DM
A E A
A A A E A A7 D DM A E A
[KEY OF C]
C C C G
C C7 F FM
C G C
C C C G C C7 F FM C G C
[KEY OF B]
B B B F#
B B7 E EM
B F# B
::::::::::::::::::::::::::
06-17-2023 SATURDAY
C DORIAN SCALE: THEORETICAL EXPLANATION
THE C DORIAN SCALE CONSISTS OF SEVEN NOTES. THESE CAN BE DESCRIBED AS STEPS ON THE GUITAR FINGERBOARD ACCORDING TO THE FOLLOWING FORMULA: WHOLE, HALF, WHOLE, WHOLE, WHOLE, HALF AND WHOLE FROM THE FIRST NOTE TO THE SAME IN THE NEXT OCTAVE.
THE C DORIAN IS THE SECOND MODE OF THE BB MAJOR SCALE. IT CONTAINS EXACTLY THE SAME NOTES, BUT STARTS ON ANOTHER NOTE. SINCE DORIAN HAS A MINOR SCALE QUALITY IT CAN ALSO BE SEEN AS A MODE OF THE G MINOR.
THE SCALE IS OTHERWISE MOST RELATED TO THE C NATURAL MINOR AND C MELODIC MINOR SCALES, WHICH DIFFER WITH JUST ONE NOTE IN BOTH CASES.
INTERVERALS:
2 -1 - 2 - 2 - 2 - 1 - 2
NOTES:
C - D - EB - FG - A - BB - C
::::::::::::::::::::::::::::
06-15-2023 THURSDAY
Irma Thomas Anyone Who Knows What Love Is
ANYONE WHO KNOWS WHAT LOVE IS (WILL UNDERSTAND) BY IRMA THOMAS THE SOUL QUEEN OF NEW ORLEANS
::::🎸::::🎼::::🎸::::🎵::::
06-05-2023 MONDAY.
FOOTSTEEPS IN THE DARK - ISLEY BROTHERS
[CHORDS]
E9SUS4: 0977XX OR 0X423X
F#M7: 2X222X OR
C#M7: X4X45X OR 9X99XX
[INTRO]
E9SUS4 F#M7 C#M7 (X4)
[VERSE]
E9SUS4 F#M7 C#M7
ARE WE, REALLY SURE? CAN A
E9SUS4 F#M7 C#M7
LOVE THAT LASTED FOR SO LONG, STILL ENDURE?
E9SUS4 F#M7 C#M7
DO I REALLY CARE? HEY, HEY, LET'S
E9SUS4 F#M7
TALK ABOUT THE DISTRACTIONS GOIN' ON ELSEWHERE
[CHORUS]
CMAJ7 AMAJ7
I KEEP HEARIN' FOOTSTEPS BABY, IN THE
F#M7 BM7
DARK, OH IN THE DARK
CMAJ7 AMAJ7
OH I, I KEEP HEARIN' FOOTSTEPS BABY, IN THE
F#M7 BM7
DARK, OH IN THE DARK, WHOO
[INTERLUDE]
E9SUS4 F#M7 C#M7 (X4)
[VERSE]
E9SUS4 F#M7 C#M7
MY MIND, DRIFTS NOW AND THEN, LOOKIN'
E9SUS4 F#M7 C#M7
DOWN DARK CORRIDORS AND WONDERS WHAT MIGHT HAVE BEEN
E9SUS4 F#M7 C#M7
SOMETHING'S, UP AHEAD, HEY SHOULD I
E9SUS4 F#M7
KEEP THIS SAME DIRECTION, OR GO BACK INSTEAD?
[CHORUS]
CMAJ7 AMAJ7
I KEEP HEARIN' FOOTSTEPS BABY, IN THE
F#M7 BM7
DARK, OH IN THE DARK
CMAJ7 AMAJ7
OH I, I KEEP HEARIN' FOOTSTEPS BABY, IN THE
F#M7 BM7
DARK, OH IN THE DARK, WHOO
[VERSE]
E9SUS4 F#M7 C#M7
HONEY LET'S STOP WALKIN' AROUND
E9SUS4 F#M7 C#M7
WHEN THERE'S LOVE LOST, TO BE FOUND
E9SUS4 F#M7 C#M7
OH, AND YOU KNOW I STILL CARE, I STILL CARE
E9SUS4 F#M7 C#M7
WHAT'S THE SENSE OF GOIN' ELSEWHERE?
[INTERLUDE]
E9SUS4 F#M7 C#M7 (X4)
[VERSE]
E9SUS4 F#M7 C#M7
WHO FEELS, REALLY SURE? CAN THAT
E9SUS4 F#M7 C#M7
FEELIN' GUARANTEE YOUR HAPPINESS SHALL ENDURE?
E9SUS4 F#M7 C#M7
AND DO WE, REALLY CARE? HEY, HEY, LET'S
E9SUS4 F#M7
LOOK AT WHAT'S BEEN HAPPENIN', AND TRY TO BE MORE AWARE
[CHORUS]
CMAJ7 AMAJ7
I KEEP HEARIN' FOOTSTEPS BABY, IN THE
F#M7 BM7
DARK, OH IN THE DARK
CMAJ7 AMAJ7
OH I, I KEEP HEARIN' FOOTSTEPS BABY, IN THE
F#M7 BM7
DARK, OH IN THE DARK, WHOO
[VERSE]
E9SUS4 F#M7 C#M7
YEAH-HEY, LETS STOP WALKIN' AROUND
E9SUS4 F#M7 C#M7
WELL WHEN THERE'S LOVE LOST LOST TO BE FOUND
E9SUS4 F#M7 C#M7
OH HONEY, YOU KNOW I STILL CARE, I STILL CARE
E9SUS4 F#M7 C#M7
WHAT'S THE SENSE IN GOIN' GOIN' ELSEWHERE?
[VERSE]
E9SUS4 F#M7 C#M7
OH HONEY, LETS STOP WALKIN' AROUND, AND
E9SUS4 F#M7 C#M7
AROUND AND AROUND, WHEN THERE'S NO LOVE TO BE FOUND
E9SUS4 F#M7 C#M7
HEY BABY, YOU KNOW I STILL CARE, I STILL CARE
E9SUS4 F#M7 C#M7
WHAT'S THE SENSE OF GOIN', GOIN' ELSEWHERE?
[OUTRO]
E9SUS4 F#M7 C#M7
FOOTSTEEPS IN THE DARK ISLEY BROTHERS
[INTRO]
E|--7--------7H9--7--------------------------------------|
B|--7----7----------7------10H12---10----9H10---9---10---|
G|--7------7----------7----9-------9-----9------9---11---|
D|-------------------------11------11----9H11---9---11---|
A|-------------------------------------------------------|
E|-------------------------------------------------------|
E|--2-------4-----7--------7H9--7---------------------------------------|
B|--2-------5-----7----7----------7------10H12----10----9H10---9---10---|
G|--2-------4-----7------7----------7----9--------9-----9------9---11---|
D|--2-------6----------------------------11-------11----9H11---9---11---|
A|--4-------4-----------------------------------------------------------|
E|----------------------------------------------------------------------|
************************************
| H HAMMER-ON
************************************
[INTRO]
E|--7--------7H9--7--------------------------------------|
B|--7----7----------7------10H12---10----9H10---9---10---|
G|--7------7----------7----9-------9-----9------9---11---|
D|-------------------------11------11----9H11---9---11---|
A|-------------------------------------------------------|
E|-------------------------------------------------------|
E|--2-------4-----7--------7H9--7---------------------------------------|
B|--2-------5-----7----7----------7------10H12----10----9H10---9---10---|
G|--2-------4-----7------7----------7----9--------9-----9------9---11---|
D|--2-------6----------------------------11-------11----9H11---9---11---|
A|--4-------4-----------------------------------------------------------|
E|----------------------------------------------------------------------|
************************************
| H HAMMER-ON
************************************
FOOTSTEEPS IN THE DARK ISLEY BROTHERS
[INTRO]
E|--7--------7H9--7--------------------------------------|
B|--7----7----------7------10H12---10----9H10---9---10---|
G|--7------7----------7----9-------9-----9------9---11---|
D|-------------------------11------11----9H11---9---11---|
A|-------------------------------------------------------|
E|-------------------------------------------------------|
E|--2-------4-----7--------7H9--7---------------------------------------|
B|--2-------5-----7----7----------7------10H12----10----9H10---9---10---|
G|--2-------4-----7------7----------7----9--------9-----9------9---11---|
D|--2-------6----------------------------11-------11----9H11---9---11---|
A|--4-------4-----------------------------------------------------------|
E|----------------------------------------------------------------------|
************************************
| H HAMMER-ON
************************************
FOOTSTEEPS IN THE DARK ISLEY BROTHERS
[INTRO]
E|--7--------7H9--7--------------------------------------|
B|--7----7----------7------10H12---10----9H10---9---10---|
G|--7------7----------7----9-------9-----9------9---11---|
D|-------------------------11------11----9H11---9---11---|
A|-------------------------------------------------------|
E|-------------------------------------------------------|
E|--2-------4-----7--------7H9--7---------------------------------------|
B|--2-------5-----7----7----------7------10H12----10----9H10---9---10---|
G|--2-------4-----7------7----------7----9--------9-----9------9---11---|
D|--2-------6----------------------------11-------11----9H11---9---11---|
A|--4-------4-----------------------------------------------------------|
E|----------------------------------------------------------------------|
************************************
| H HAMMER-ON
************************************
FOOTSTEEPS IN THE DARK PTS. 1 & 2
[INTRO AND VERSE]
D6 F#M G#M
E|-7-------9--7---------------------2-2---4--|
B|-7----7-------7-------------------2-2---5--|
G|-7--7---7-------7-----------------2-2---4--|
D|-----------------7H9P7-6H7P6-\4---4-4---6--|
A|---------------------------------------------|
E|---------------------------------------------|
************************************
| H HAMMER-ON
| P PULL-OFF
| \ SLIDE DOWN
************************************
SONG: FOOTSTEPS IN THE DARK (PARTS 1 AND 2)
ARTIST: THE ISLEY BROTHERS (BASS TAB)
ALBUM: GREATEST HITS VOLUME 1
TABBED BY: DAVE MILLER (DAVE@BASSTABARCHIVE.COM)
HTTP://WWW.BASSTABARCHIVE.COM/
ICE CUBE SAMPLED THIS GREAT ISLEY BROTHERS
TUNE IN "IT WAS A GOOD DAY".
VERSE
G|--------------------------------------|
D|*-----2-----2-----4-------------------|
A|*-----------------------0-2\----------|
E|---0-----0-----2-----2----------------|
CHORUS
G|---5-5-----------------------------------|
D|*------5-5--------------------7-----7----|
A|*----------3----3---------7-7-----7---7--|
E|--------------3---3---5-5----------------|
G|---------------------------------4-------|
D|*--4-4-----------4-----------4-4---------|
A|*------4-4---------4-----2-2----------4--|
E|-----------2---2-----2-------------------|
VERSE VARIATION
G|-----------------------------------------|
D|*----------------------------------------|
A|*--------------------------------0H2-----|
E|--0--/12\--0-/12\---2--/14\--2-2---------|
06-03-2023 Saturday 01:00 AM
* The notation called Tablature or Tab
* Each of the six lines represents a string on the guitar.
* The bottom line represents the thickest string.
* The top line represents the thinnest string.
* The numbers represent the frets on the fretboard of the guitar that you should play reading from left to right.
* The vertical bars represent the measures of the song.
* The thickest string is called the sixth string or E.
* The thinnest string is called 1st string or e
* The rest are numbered 1-6
* Tab shows the timing in a very loose way making it inferior to standard musical notation as a musical as a complete explanation of how to play music, but is much easier to learn.
02:18
Listening to:
"Footsteps In The Dark, Pts. 1 & 2" The Isley Brothers
Standard Tuning(EADGBE)
[Intro and Verse]
D6 F#m G#m
e|-7--------9--7----------------------2-2---4--|
B|-7----7--------7--------------------2-2---5--|
G|-7--7---7--------7------------------2-2---4--|
D|-------------------7h9p7-6h7p6-\4---4-4---6--|
A|---------------------------------------------|
E|---------------------------------------------|
************************************
| h Hammer-on
| p Pull-off
| \ Slide down
************************************
"Love No Limit" - Mary J. Blige
Tabbed by: Lightsey67
Original: https://www.youtube.com/watch?v=Vh_yKi3taw4
Tuning: Standard
No Capo.
Cmaj7 [032000]
B7 [021202]
Em [022000]
A7 [002020]
[Intro]
Cmaj7 B7 Em A7 (x2)
*humming*
[Verse 1]
Cmaj7 B7 Em
Baby, there's no need to tell you
A7
Sure as I can clearly recall
Cmaj7 B7
My love has been here for you
Em A7
You don't have to worry at all
Cmaj7 B7
I'll sacrifice my time
Em A7
Make sure you're satisfied
Cmaj7 B7
Cause it's no hard thing to the joy you bring
Em
I wanna give you all my love
[Chorus]
Cmaj7 B7
(Loving you) That's all I wanna do
Em A7
(Every day) and every hour, baby
Cmaj7 B7
Don't you look no more
Em A7
Love without a limit, my love is yours
Cmaj7 B7
(Loving you) That's all I wanna do
Em A7
(Every day) and every hour, baby
Cmaj7 B7
Don't you look no more
Em A7
Love without a limit, my love is yours
[Verse 2]
Cmaj7 B7
Baby, I'm in need of your love
Em A7
and you got that touch
Cmaj7 B7
That I need so much
Em A7
and I am about to explode
Cmaj7 B7 Em A7
Freely, completely, everything you want I'll be
Cmaj7 B7
Good love down to the last drop
Em A7
and I'm not gonna stop
[Chorus]
Cmaj7 B7
(Loving you) That's all I wanna do
Em A7
(Every day) and every hour, baby
Cmaj7 B7
Don't you look no more
Em A7
Love without a limit, my love is yours
Cmaj7 B7
(Loving you) That's all I wanna do
Em A7
(Every day) and every hour, baby
Cmaj7 B7
Don't you look no more
Em A7
Love without a limit, my love is yours
[Bridge]
Cmaj7 B7 Em A7
Loving you is all I wanna do
Cmaj7 B7 Em A7
Loving you is all I wanna do
Cmaj7 B7
I said loving you, said loving you
Em A7
is all that I all that I wanna do
Cmaj7 B7 Em A7
Baby, baby, babyyyy
[Outro]
Cmaj7 B7
(Loving you) That's all I wanna do
Em A7
(Every day) and every hour, baby
Cmaj7 B7
Don't you look no more
Em A7
Love without a limit, my love is yours
Cmaj7 B7
(Loving you) That's all I wanna do
Em A7
(Every day) and every hour, baby
Cmaj7 B7
Don't you look no more
Em A7
Love without a limit, my love is yours
(Scatting and repeating Cmaj7 - B7 - Em - A7)
::::🎸::::🎼::::🎸::::🎵::::
06-02-2023 Friday
Pentatonic Minor Scales and Modes
AMinor Pentatonic a five note scale
A C D E G
5 6 7 8.
e|------|------|------|-----‐|------|
B|------|------|------|------|------|
G|------|------|------|------|------|
D|--G--|------|------|------|------|
A|--D--|------|--E---|------|------|
E|--A--|------|------|--C--|------|
* The Am Pentatonic Is also called the Blues Scale
Rock, Jazz, Pop, Country, and all Blues songs.
* There are five modes in the Am Pentatonic Minor scale
Each of the five modes start with a note in the Am Pentatonic scale and are ascending. For example:
The Second Mode starts with C and ascends to D E G A
So I'm guessing
1st mode: A C D E G
2nd mode: C D E G A
3rd mode: D E G A C
4th mode: E G A C D
5th mode: G A C D
C D E G A
::::🎸:::::🎼::::🎸:::::🎵::::
WATCHED ROMANTIC GUITAR PIANO BALLAD BACKING TRACK A MINOR
MAR 9, 2018 #BACKINGTRACKS #JAMTRACK #NICKNEBLOBACKING
ROMANTIC EMOTIONAL MEDITERRANEAN SLOW BALLAD WITH PIANO, DRUMS AND GUITAR, FOR SINGERS, GUITAR AND PLAYERS OF ALL INSTRUMENTS. ALSO AS BACKGROUND MUSIC FOR DINNER, ROMANTIC RESTAURANT, RECEPTION AND RELAXATION. THESE TRACKS ARE FREE FOR PERSONAL USE. FOR OTHER USES PLEASE CONTACT ME OR READ DESCRIPTION BELOW. YOU CAN: - USE IT BACKGROUND MUSIC FOR YOUR VIDEOS ON YOUTUBE (CREDITS ARE APPRECIATED)- USE IT BACKING TRACK FOR YOUR YOUTUBE WORK OR SOUNDCLOUD (CREDITS ARE APPRECIATED) - USE IT IN YOUR LIVE PERFORMANCES OR FOR TEACHING
YOU CANNOT: - SELL THIS TRACK OR RELEASE IT THROUGH A RECORD LABEL OR DISTRIBUTOR, SOUND RECORDING IS COPYRIGHTED AND CONTENT ID REGISTERED. CREDITS ARE MUCH APPRECIATED. MUSIC, ARRANGEMENT, RECORDING, MIX AND MASTERING BY NICK NEBLO © #JAMTRACK #BACKINGTRACKS #NICKNEBLOBACKING
AM DM7 G CMAJ7
F DM E7 AM
--------------------------------------
--------------------------------------
05-31-2023 WEN
HOUSE OF THE RISING SUN
AM C D F
AM E AM E
AM C D F
AM C E
AM C D F
AM E AM C
D F AM E
AM E AM C
D F AM C
E AM C
D F AM E
AM C D F
AM E AM E
AM C D F
AM C E
AM C D F
AM E AM C
|D | |F | |AM| | |
|E | | | | | |AM|
|C | | | |G | |A# | |
|D | | |GM| | |A# | |
|C | |A#| |G | |D | |
|G | | & | |BM| |D | |
|EM | | G | |BM| |D | |
|F#M| |F# | |BM| |D | |
|E | |G | |BM| |F#7| |
|BM | |D | |E | |D | |
| G |GM|A#| |C | |D# | |
|CM| |D#| |F| |G#| |
|CM| |D#| |G| | | |
|CM| |D#| |F| |G#| |CM| |G| |
|CM| |G| |CM| |D#| |
|F| |G#| |C| |D#| |G| |
|CM| |D#| |F| |G#| |CM| | | |G| | | | |&| | |CM
◇ AL JAREAU
'ALL OR NOTHING AT ALL'
♧ C AEOLIAN MAJOR MODE
1 2 B3 4 5 B6 B7
(9) (11) (B13)
C AEOLIAN MAJOR MODE
|--4---|----|--5--|-B6-|-----|---7--|--
|--1---|----|--2--|-B3-|-----|---4--|--
|--B5-|----|-B7-|------|--1-|-------|--
|--B3-|----|--4--|------|--5-|-B6--|--
|--B7-|----|--1--|------|--2-|-B3--|--
|--4---|----|--5--|-B5-|-----|-B7--|--
1 3 5
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05-30-2023 TUE
♡ B.B. KING
'ROCK WITH ME'
C, G, Db7, G7, C7
'SWEET LITTLE ANGEL'
::::::🎸::::::🎼:::::::🎸::::::🎵::::
05-29-2023
MONDAY 2:38 AM
◇ BACKING TRACK 1-6-2-5
GEORGE BENSON BREEZIN' STYLE D 84 BPM
(DF#A) (EGB} (GbADb) (GBD) (AC#E) (BDF#) (C#EG)
D Em Gbm G A Bm Dbdim
https://chordify.net/chords/lily-afshar-virtuoso-guitar-five-popular-persian-ballads-melbaypublications
https://chordify.net/chords/lily-afshar-performs-tango-by-albeniz-for-segovia-lily-afshar
https://chordify.net/chords/tom-petty-songs/you-don-t-know-how-it-feels-chords?version=youtube:9TlBTPITo1I
https://chordify.net/chords/tom-petty-songs/free-fallin-2-chords
Tom Petty - Free Fallin'
71K jam sessions ·
(FACEF) (FBbC) (CFG)
chords: F Fsus4 Csus4
02-07-2023 :::::::: Tuesday ::::::::::::::::::::::::::::::::::::::::::
HISTORY (5560)
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